As an aspiring landscape photographer, I have the opportunity to explore less traveled parks and remote wilderness areas. This blog shares of my "notes from the field," including photography techniques, hiking tips and lessons learned the hard way ... like the time I fell through the ice in the Merced River, Yosemite National Park. I welcome your comments and thank you for visiting our site. Marcus W. Reinkensmeyer, Field Photographer
Initially, faced with heavy winter rains and sleet, we thought it best to wait for the weather "to clear" for our Oregon coast photo shoots. Our thinking quickly evolved, however, given the rapid weather changes and resulting photo opportunities at Bandon Beach, Oregon.
Here, beyond the challenge of shoot timing, ever changing skies create a sense of drama and strong visual elements. In many ways, weather conditions are the essence of compelling Pacific coast images.
Our first morning at Bandon Beach, we were graced with thick fog, pelting rain and fleeting sunlight. That evening, our quiet light painting session on the beach was abruptly interrupted by fierce winds and hail. The next day offered the same erratic mix, with a sudden afternoon warm-up and the need for sunglasses. Late afternoon ushered in dark foreboding dark skies, but no actual precipitation.
In some of our favorite scenes, thick cloud and fog serves as an ever shifting light filter. The resulting diffused sunlight is at times ethereal, casting a soft shadowless illumination over the scene. This scenario is similar to that of pre-dawn illumination, providing an even, low contrast light from the foreground to the distant horizon. As such, I generally found it unnecessary to use graduated neutral density filters in the field.
Being from Phoenix, I still marvel at the mercurial nature of Oregon winter weather and the coastal ecosystem as a whole. Properly equipped, we have made peace with the Oregon winter climate, giving us all the more time for exploration under most any conditions.
After getting soaked a few times, we learned to have our rain gear (REI jackets and pants) with us at all times. Other items which proved helpful included camera rain sleeves, deep lens hoods, extra lens cloths, North Face e-tip gloves for our phone touch screens, water shoes with NRS Hydroskin socks and plastic covers for our camera backpacks.
Three Apple i-phone apps were also a big help in navigating the weather, lighting and tidal cycles: Dark Skies, The Photographer's Ephemeris and Tide Chart.
Marcus W. Reinkensmeyer
My sincere thanks to Capture My Arizona for the Editors' Choice Award, Arizona Scenic Shots Contest. This image of the iconic Wave is from one of my favorite places on the Earth: North Coyote Buttes at Vermilion Cliffs National Monument - Paria Plateau Wilderness Area. Situated on the Arizona-Utah border, this remote area is a true geological wonderland.
< Nikon D70 f/22 @ 18 mm, 1/15 secs
We've made several trips to this location, most recently to South Coyote Buttes (Cottonwood Cove) and Grand Staircase - Escalante, Utah, this past February. Friends and I have been so moved by the area that we created a self-published book, Windswept Landscape: Images from the Arizona-Utah Border.
My sincere thanks to fellow travelers Tom Gendron and Steve Stilwell for this book collaboration and such memorable times at Vermilion Cliffs.
Thanks also to friends and supporters at Capture My Arizona.
Related posts: The Wave: Landscape Photography in a Geological Wonderland, Whirlwind Photography Trek: Arizona and Utah - Antelope Canyon, White Pocket Landscape Photography: Weather on the Plateau and Grand Staircase - Escalante Photography Trek: Itinerary.
"There's something about the Pacific Northwest, the scale of it, and the fact that not so long ago people came here and died getting here, and then died the first winter they were here. There's this breathtaking beauty, just a little bit of moss on the tree, just this little thread of danger, and the sinister. And I really like that." - Chelsea Cain
Returning from a four day photography trek on the Oregon coast, I feel like such an ingrate.
Barring disc failure or other technical problems, I'm confident that we have a solid crop of coastal images and a few real "keepers." At the same time, I'm struck by the realization that we only scratched the surface in our whirlwind trip centered at iconic Bandon Beach (Bandon State Natural Area). In fact, I now realize one could spend a lifetime hiking and exploring photo opportunities in this scenic stretch of the Pacific Coast.
In this five part series, we'll share our travel itinerary, some field notes and favorite images. Our itinerary is by no means the recommended way to photograph the coast, but rather a possible place to start for some longer and better considered trip planning:
Day 1: Fly from Phoenix to Portland and drive to Bandon Beach- the two hours in dense fog.
Days 2 and 3: Bandon Beach
Day 4: Port Orford, Cape Blanco and Bandon Beach
Day 5: Oregon Dunes, Devil's Punch Bowl and Cannon Beach
Day 6: Drive from Cannon Beach to Portland and return flight to Phoenix
We gracefully acknowledge The Photographer's Guide to the Oregon Coast, an invaluable book by David Middleton and Rod Barbee.
Our next postings will share more photos and notes on the ever changing Oregon weather, the Oregon Dunes, a celebration of color and some monochromatic images.
Special thanks to my brother and fellow photographer, Brian Reinkensmeyer; my son, David, and his friend, Ashley, for their wonderful company and support throughout the trip.
Marcus W. Reinkensmeyer
Related postings: Coastal Photography: Point Reyes National Seashore, California; Landscape Photography Podcast; Impending Coastal Storm: California Landscape Photography, Lighthouses and Piers: Ten Tips for Coastal Photography and Natural Coastline Shift.
Our photo, Sunflower Graced Mountain Road, has been named as a Judges' Favorite in the AAA Highroads Arizona Wild Flowers photography contest.
One of my colleagues and a fellow photographer was kind enough to tell me about this scenic area just North of Wupakti Look Road, near Flagstaff, Arizona. This road leads to Sunset Crater Volcanic National Monument, a unique geological wonderland of volcanic cinder fields. We were delighted to hike this scenic hillside in the aftermath of heavy monsoon rains, which support vibrant plant life in Northern Arizona mountains.
Our visit to this site is memorable, not only due to the abundant Sunflowers, but also given the extremely windy conditions on that day. During most of our hike, it was not possible to photograph detailed landscape scene having an extended depth of field, at least not without moving to unacceptably high ISO camera settings, e.g., 1,600 and above.
After fighting the wind and these technical limitations for some time, I decided to photography a series of time exposures depicting the raw energy of sunflowers in motion. For more information on the time exposures and wildlife photography, see Photography on a Windy Hillside.
My sincere thanks to the contest judges at AAA Highroads for their recognition of my wild flower photography.
Today, I’m honored to have one of my photos used as artwork on New Zealand born Composer Annea Lockwood’s Ground of Being CD album cover. An Emeritus Professor at Vassar University, Ms. Lockwood creates music from sounds in nature – wind, water and rocks - and “found instruments.”
Her expansive body of work explores unique acoustic and electronic instrument sounds in natural settings. The album is available at http://www.recitalprogram.com/ground-of-being/.
The featured photo, Nature’s Grand Design, is apropos for sounds in nature, showing a cross section of striated Navajo Sandstone at the iconic Wave, North Coyote Buttes, Vermilion Cliffs Wilderness Area, Arizona-Utah Border. This same image was featured in Capture My Arizona’s 2013 calendar.
For more information on the unique geology of the Wave and nearby areas, see: The Wave: Landscape Photography in a Geological Wonderland; White Pocket Landscape Photography: Weather on the Plateau; Whirlwind Photography Trek: Arizona and Utah – Lake Powell.
< Nature's Grand Design, Striated Navajo Sandstone, Capture My Arizona Photo of the Day, Nikon D70 0.3s at f/25
My thanks to Producer Sean McCann (Recital Records) and Ms. Lockwood for the opportunity to be part of such a creative, far reaching project.
< The Wave, Nikon D70, 1/15 at f/22
Marcus W. Reinkensmeyer
Landscape photography techniques, photo expedition travel planning and hiking tips.